Harvard Law freshman Mark Watson, having been cut off by his millionaire dad, tries to fund his education by tinting his skin with tanning pills and passing as African-American. But after being nearly evicted by his landlord, arrested by the police, and subjected to an endless barrage of “no offense” racist jokes, he learns that being black isn’t the easy way out by far. But he must face the real repercussions of his ruse when he falls in love with a hardworking black single mother, who is the rightful recipient of the scholarship he received. A surprisingly effective treatment of race and affirmative action issues, comfortably ensconced in conventional “campus comedy” fluff.
Production Status: Released
Logline: A young man pretends to be black to receive a scholarship to law school.
Genres: Comedy
Running Time: 1 hr. 41 min.
MPAA Rating: PG-13
Production Co.: New World Pictures, Balcor Film Investors
U.S. Box Office: $27,316,198
Filming Locations: Boston, Massachusetts
Los Angeles, California
Produced in: United States
**I DO NOT OWN SOUL MAN**
Duration : 0:9:18
Harvard Law freshman Mark Watson, having been cut off by his millionaire dad, tries to fund his education by tinting his skin with tanning pills and passing as African-American. But after being nearly evicted by his landlord, arrested by the police, and subjected to an endless barrage of “no offense” racist jokes, he learns that being black isn’t the easy way out by far. But he must face the real repercussions of his ruse when he falls in love with a hardworking black single mother, who is the rightful recipient of the scholarship he received. A surprisingly effective treatment of race and affirmative action issues, comfortably ensconced in conventional “campus comedy” fluff. 
Harvard Law freshman Mark Watson, having been cut off by his millionaire dad, tries to fund his education by tinting his skin with tanning pills and passing as African-American. But after being nearly evicted by his landlord, arrested by the police, and subjected to an endless barrage of “no offense” racist jokes, he learns that being black isn’t the easy way out by far. But he must face the real repercussions of his ruse when he falls in love with a hardworking black single mother, who is the rightful recipient of the scholarship he received. A surprisingly effective treatment of race and affirmative action issues, comfortably ensconced in conventional “campus comedy” fluff.
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